Personnel: John Harvey
Instrumentation and Production: Adobe Audition CC, Allen & Heath Xone:96 mixer, Apple MacBookPro, custom personal computer and Windows 10, Eventide ModFactor, PitchFactor, TimeFactor, and Space pedals, Fireface UCX audio interface, Korg Kaos Pad Effects Processor Quad and Kaos Pad Dynamic Effects Sampler, Native Instruments Traktor Kontrol X1 Mk2 and Scratch 6 Digital-Vinyl-System, Moog MF-105 Midi Murf and MF-108M Cluster Flux, OTO Biscuit 8-bit effects and analogue filter, RME Babyface Proaudio interface, Sherman Filterbank 2 filter unit, Sherman/Rodec Restyler filter unit, and Stanton S-150 turntable.
Sources: Black Dyke Mills Band, Orpheus in the Underworld -- Overture Part 1 and Part 2 (Jacques Offenbach; arr. by A. O. Pearce) His Master's Voice, BD 676 (1936); British Movietone News, South Wales Colliers Go Down the Mine, Vol. 1, No. 39 (1930) (Licence and permissions courtesy of Associated Press); Holy Bible, King James (Authorised) Version (1611), Trinitarian Bible Society [n. d.].
Instrumentation and Production: Adobe Audition CC, Allen & Heath Xone:96 mixer, Apple MacBookPro, custom personal computer and Windows 10, Eventide ModFactor, PitchFactor, TimeFactor, and Space pedals, Fireface UCX audio interface, Korg Kaos Pad Effects Processor Quad and Kaos Pad Dynamic Effects Sampler, Native Instruments Traktor Kontrol X1 Mk2 and Scratch 6 Digital-Vinyl-System, Moog MF-105 Midi Murf and MF-108M Cluster Flux, OTO Biscuit 8-bit effects and analogue filter, RME Babyface Proaudio interface, Sherman Filterbank 2 filter unit, Sherman/Rodec Restyler filter unit, and Stanton S-150 turntable.
Sources: Black Dyke Mills Band, Orpheus in the Underworld -- Overture Part 1 and Part 2 (Jacques Offenbach; arr. by A. O. Pearce) His Master's Voice, BD 676 (1936); British Movietone News, South Wales Colliers Go Down the Mine, Vol. 1, No. 39 (1930) (Licence and permissions courtesy of Associated Press); Holy Bible, King James (Authorised) Version (1611), Trinitarian Bible Society [n. d.].